NYC///SHOWSTOPPER///MICHAEL BEVILACQUA’S “CORROSIONS OF CONFORMITY” AT GERING & LOPEZ
NYC-based painter and mixed media artist MICHAEL BEVILACQUA enjoys the particular distinction of having his art labeled “Beavis and Butthead Pop” by the paper of record, the NY Times in recent years. Deemed such largely for his reference-laden turn-of-the-century works incorporating visual “shout outs” to his heros of modern music & pop culture including The Ramones, Spongebob, Gorillaz, Takashi Murakami, Barry McGee, The Cramps and KAWS, to name a few, the artist’s work has taken on a more loose, gestural, and less literal visual quality of late. For his new show of paintigs on paper at GERING & LOPEZ GALLERY, titled “Corrosions of Conformity” (the band logos may have become less prominent in his works but the influences remain dominant), find him moving away from the hard-edged graphic sensibility he’s established to embrace a more abstract technique incorporating elements of collage and stenciling. Still reference heavy throughout, Bevilacqua’s discussion points have become a bit more oblique (a recent trip to Greece is a tangible theme, however) while remaining close to the artist’s Pop Culture proclivities. HAVE A LOOK:
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