February 3, 2010  |  Africa, art, Fashion, News  |  Comments Off on KEHINDE WILEY UNVEILS HIS “AFRICAN UNITY” PUMA COLLABORATION FOR WORLD CUP 2010

Kehinde celebrates the glory of African football without breaking a sweat…

Gearing up for the massive global throwdown that is WORLD CUP, fashion sportswear brand PUMA has teamed up with KEHINDE WILEY in a poignant celebration of African football. The company sponsors a total of 12 African teams, four of which have qualified for the World Cup being held this year in South Africa. Wiley created portraits of three Puma-sponsored football stars; Samuel Eto’o of Cameroon, John Mensah of Ghana and Emmanuel Eboué of Ivory Coast with each player wearing their national team kits.

A fourth “Unity” Portrait was painted with all three players together, symbolizing the united countries of Africa. The players’ pose was inspired by a pendant Wiley discovered while touring the Continent. In the “Unity” Portrait, the players are wearing the Puma Unity Kit, a limited edition uniform designed to be a third kit shared by all African teams, symbolizing greater African unity. The brown pigment in the kit is a customized Pantone created by mixing actual soil samples from four different African nations—Ghana, Cameroon, Cote D’Ivoire and Mozambique. The brown to blue color gradient represents the soil to the sky progression. In each portrait, Wiley captures the essence of each player using the rich heritage, customs and people of Africa as inspiration.

The individual portraits, measuring 5 feet by 6 feet and the “Unity” portrait measuring 9 feet by 12 feet, were unveiled in Berlin on January, 20 2010. The portraits will then travel as an exhibition beginning in February to Paris, London, New York, Beijing and Milan, ending in South Africa in June for the World Cup.

Born in Los Angeles to an African American mother and a Nigerian father, Wiley describes his relationship with Africa as “one of searching and longing.” Kehinde, which means “second born of twins” in Yoruba, grew up without knowing his father and curiosity led him to Nigeria at the age of 20 to retrace his roots. Upon meeting his father, Wiley completed a series of portraits of him, and later, in 2007, returned to Africa to compile a body of work entitled “The World Stage: Africa Lagos-Dakar,” which was exhibited at the Studio Museum in Harlem.

Kehinde’s distinctive patterns (taken from local African sources) will appear in Puma’s Spring/Summer 2010 Africa lifestyle collection of apparel, footwear and accessories. The Seven graphic patterns from Wiley’s existing work are integrated throughout the bright, bold, color-blocking patterns of the collection, including a limited edition Kehinde Wiley football boot. HAVE A LOOK:

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July 28, 2008  |  Africa, art, News, NYC, Openings, Video  |  Comments Off on HARLEM///INSIDE KEHINDE WILEY’S “THE WORLD STAGE: AFRICA, LAGOS—DAKAR”…

kehindewiley.jpgHyper-prolific portrait artist KEHINDE WILEY‘s latest installment in his “World Stage” series “Africa: Lagos ~ Dakar” is now on view at Harlem’s progressive STUDIO MUSEUM and the array of new large-scale paintings is staggering. It’s a homecoming of sorts for the artist who, after graduating from the SF Art Institute, began his professional art career there in 2000 where he pioneered his now trademark baroque urban portrait style. Traveling to Africa where he set up residence in a satellite studio to seek out his models for the series, Wiley posed his “actors” to mimic historical public sculptures from Dakar, Senegal, and Lagos, Nigeria, which he then immortalized on the huge canvases comprising this installation. And while all the subjects in this series were unknowns he found in the streets, Wiley has some much bigger subjects in mind for an upcoming dream leg of his art tour: “I would love to do a series of paintings of African dictators. To have their company, do the photo shoot and make a whole series of paintings, that’s something I’ll try to work on. Because their egos are already out of this world, they would probably take the commission just because of that, to hang the portraits in their royal palaces.” HAVE A LOOK: Read More