TIPS FROM A MAESTRO OF THE SPRAY CAN
By Jan Ellel Spiegel | NYTimes, February 18, 2010
JASMINE JOHNSON is sprawled on the floor of the Thomas J. Walsh Gallery at Fairfield University here, her red high-tops in the air as she intently sketches on a two-foot-square sky blue canvas.
Nathaniel Jefferson is on a nearby bench, equally intent as he mulls the possibilities of a green canvas. Israel Medina, who goes by Tony, is outside in the cold, energetically spraying paint to transform a pink canvas propped against a tree.
“The wheels are turning,” says the artist John Matos, surveying the work.
These three art students from Bridgeport high schools will be joined by two schoolmates the following day as they work on a project designed by Mr. Matos, who goes by the name Crash (as a student he crashed his high school’s computer).
A child of South Bronx housing projects, Mr. Matos was younger than these teenagers when he began honing his art in the 1970s by breaking into a subway yard at night and spray painting the cars for hours in the dark and cold. Click HERE to continue reading at NYTimes…
Friday was a big nite in the Midwest when SHEPARD FAIREY's Ohio installment of his traveling retrospective "Supply & Demand" opened at the CINCINNATI CONTEMPORARY ARTS CENTER and shattered the institution's all-time attendance record.Read More
Parisian art fans need to hit up ADDICT GALERIE before March 4th to catch sight of graffiti/street art legend CRASH’s current show, “Tin Machine.” Born in the Bronx1961, John “CRASH” Matos is one of the pioneers of graffiti writing who started developing his distinctive style on the trains of New York at the age of 13. Alongside his contemporaries like Futura, Zephyr, Lee, and Lady Pink, CRASH successfully transitioned from walls and trains to the fine art world in the ‘80s with exhibits at Sidney Janis Gallery and Real Art Ways, next to Jean-Michel Basquiat and Keith Haring. His fine art career has continued uninterrupted with the artist breaking his graphic colorblocked style into more free-form abstract compositions in recent years, a development readily visible in this Paris show which features heavily fragmented chunks of his trademark imagery. HAVE A LOOK: Read More
A derelict 200-year-old pub in Liverpool, England, bearing one of BANKSY‘s largest existing guerilla murals has just changed hands at auction today for £114,000. One of the artist’s largest existing pieces, the massive rat was painted illegally under cover of darkness in 2004 during the city’s Biennial festival and has since been declared a landmark by the city and granted protected status. Now, in a twist that Sir Banks himself probably couldn’t imagine, the image must be preserved by the new owners going forward with renovations…
The Midwest leg of ST buddy SHEPARD FAIREY‘s epic “Supply and Demand” retrospective opens this Friday at Cincinnati’s CONTEMPORARY ARTS CENTER (CAC), but in the meantime, our boy is out on the streets of Cin City doing what he does best (and we don’t mean getting arrested)…
Shep’s new CAC exhibition print available this Friday only at the opening…
What has to be the final nail in the “Street Art” coffin was driven in last weekend by none other than MR. BRAINWASH (aka: “The Christian Audigier of Street Art”) when he opened his massive, self-produced “Icons” show in a rented space (which, ironically, was once a real art gallery, pre-recession) in the heart of Chelsea. As the subject of Brit Street Art king Banksy’s recent docu-parody film, “Exit Through The Gift Shop,” MBW has been the focus of much hype and speculation as his presence finally seeps into the fairly muddy stream of mainstream consciousness. Last week’s Wall Street Journal article articulated this particularly well:Read More
Unsurprisingly, our man BANKSY didn’t show up:
“An apparent press conference by “Exit Through the Gift Shop” director, and mysterious street artist, Banksy was canceled in Berlin today. A subject of the film, which debuted last month at the Sundance Film Festival, Banksy remains an incognito artist. He issued a video statement that was shown prior to the press screening of his movie on Sunday at the Berlinale, in lieu of a press conference.
He started by saying, in a recorded message, “Unfortunately I can’t be with you today, so I am speaking from my home in England via satellite link.”
“I guess my ambition was to make a film that would do for graffiti art what ‘Karate Kid’ did for martial arts, a film that would get every school kid in the world picking up a spray can and having a go,” said a silhouetted figure, identified as Banksy, in a digitally altered voice on the short video message. He added, “As it turns out, I think we might have made a film that does for street art what ‘Jaws’ did for water sking.” Click HERE to continue reading at INDIE WIRE…
Stephen Colbert has urged his Nation to download this poster now and plaster Vancouver with it. Just don’t call him to bail you outta jail…
Conservative talk phenomenon STEPHEN COLBERT is on his way to the as-yet snowless 2010 OLYMPIC games in Vancouver (home of the “Iceholes”) to watch his “Team Colbert” speed skaters careen towards victory, and former show guest and ST buddy SHEPARD FAIREY has been commissioned to commemorate the event:
|The Colbert Report||Mon – Thurs 11:30pm / 10:30c|
|Sign Off – See You in Vancouver|
|The Colbert Report||Mon – Thurs 11:30pm / 10:30c|
Colbert sticks it to the “Iceholes” in the street…