With the most inspirational name in the art world, AL MORAN‘s vanguard O.H.W.O.W. GALLERY is bringing serious heat to the Miami art scene. Celebrating the lengthy interconnectedness of the tropical city with sister metropolis NYC, their current exhibition, “Better History” takes a look at Manhattan’s storied art legacy, presenting the next generation of youngbloods alongside some legendary veterans in a wide array of media. Guest curated by New York’s NICK POE and the SEVEN ELEVEN GALLERY, the show’s exhaustive roster is a knockout, and includes Tim Barber, Sebastian Bear-McClard, Sebastian Black, Max Bode, Scott Campbell, Eneas Capalbo, Sarah Charlesworth, Francesco Clemente, Billy Copley, Patricia Cronin, Lance De Los Reyes, India Donaldson, Lena Dunham, Judith Hudson, Fab 5 Freddy, Francesco Galetto, India Donaldson, Alex Kalman, Maira Kalman, Tibor Kalman, Mel Kendrick, Victor Kerlow, Barney Kulock, Eva Lewitt, Judith Linhares, Troy Lumpkin, Alex Massouras, Michael McClard, Thomas McDonnell, Harry McNally, Casey Neistat, Van Neistat, Deniz Ozuygur, Peter Passuntino, Grear Patterson, Paolo Pelosini, Nick Poe, Nico Ponce De Leon Dios, Paula Poons, Steve Powers, Alex Rickard, Alexis Rockman, Theo Rosenblum, Ed Ruscha, Tom Sachs, Benny Safdie, Josh Safdie, Kenny Scharf, Laurie Simmons, Gordon Stevenson, Billly Sullivan, Jon Waite and Robert Waltzer. On view through April 11, the show should be considered required viewing for sunbathing art lovers in need of a downtown fix. HAVE A LOOK: Read More
In these dark days the kaleidoscopic psychedelia of the ERIK PARKER’s amorphous portraiture provides a much-needed dose of visual overstimulation. Working with an incredible sense of whimsy and dynamism, the German-born painter is truly free as he creates these incredibly bizarre semi-representational renderings of what seem to be melting characters from some bizarre futuristic space opera gone wrong. Bold in both color and composition, the works on display at his “Crisis Creation” show at PAUL KASMIN GALLERY in NYC are truly a reflection of the artist’s reeling imagination and disregard for convention. In the words of the NY TIMES‘ art scribe KEN JOHNSON:
“Working under the influence of acid rock posters, underground comics, Mad magazine, Ed (Big Daddy) Roth, Giuseppe Arcimboldo and Peter Saul, Mr. Parker has created a series of zany, neon-bright, imaginary portraits: goggle-eyed heads that are disintegrating into spaghetti-like strands and countless little blobs. Viewing them is like seeing into a mirror through the eyes of a furiously hallucinating drug fiend.”
Consider it a must-see show. HAVE A LOOK: Read More
Perpetually one of our favorite young artists, Japanese painter TOMOO GOKITA never ceases to amaze with his unique and fluidly executed monotone visions. Moving effortlessly between pure abstract and his more recognizable hybrid figurative style, Gokita has created a beautiful body of solemn new work for his enthusiastically titled “Champion Carnival” show at NYC’s top-notch ATM GALLERY. Notoriously tight-lipped about his aesthetics and their meaning, the artist as always manages to maintain an air of unfettered mystery about his ghostly works by shunning self-reverent manifestos and self-penned dissertations, choosing instead to observe one of the modern world’s most underrated virtues: silence. HAVE A LOOK: Read More
Graphic artist turned fine art phenom RYAN McGINNESS unleashed his latest campaign of visual shock and awe at DEITCH PROJECTS last week with the opening of his epic (and refreshingly straightforwardly-titled) “Works” exhibition. Timed to coincide with the release of his retrospective Rizolli book of the same name, the show finds the young artist in peak form working in an array of different media from his trademark heavily layered silk-screened icon paintings to fluid graphic sculptures in a dazzling spectrum of color and fluid form. Of course the opening was a who’s who of NYC’s downtown hipster elite and with pieces moving at a quick pace it seems that good art indeed beats a dead economy every time. HAVE A LOOK: Read More
Amid the current wave of doom and gloom that washed over this year’s annual ARMORY art expo in NYC last week, OG Manhattan art star KENNY SCHARF reminded everyone that the art world was once a fun place to be with his one man “Scharfland” show at PAUL KASMIN‘s booth. Consisting of a wide array of beautiful new paintings, a bronze cat sculpture, an outdoor installation of live spray paintings, and even a golf kart transformed into one of Sharf’s characters, Kenny brought back the spirit of the days when he and friends like Jean-Michel Basquiat, Keith Haring, and Andy Warhol were literally writing the rules of the art world as they went along. Scharf is yet another artist participating in the “Stages” charity art show to benefit LANCE ARMSTRONG’s anti-cancer LIVESTRONG foundation during his run in this year’s Tour de France. Keep an eye on ST for more details coming soon. Meanwhile, HAVE A LOOK: Read More
Shockingly, the 7-foot-wide black-and-white watercolor of Ponzi mastermind BERNIE MADOFF by Chinese artist YAN PEI-MING on display at the booth of heavyweight dealer DAVID ZWIRNER failed to find a buyer at its $100,000 asking price. Instead the piece actually seemed to repel viewers from his booth as if it possessed some kind of aesthetic negative polarity. Bloomberg news went so far as to actually refer to it as “creepy” in print. If the 70-year-old Madoff pleads guilty to 11 felony counts in court this Thursday as planned, it’s likely the judge will immediately revoke his $10 million bail and immediately enact a 150 year prison sentence, and this painting might be the last we ever see of ol’ BM again…
Another artist undeterred by the recent downturn in the art market at this year’s annual ARMORY art fair was Supertouch homegirl CAMILLE ROSE GARCIA, whose solo “Ambien Somnambulants” show of new paintings and drawings was a major crowd pleaser at JONATHAN LEVINE‘s eponymous booth at SCOPE. While her goth girl aesthetic tendencies can sometimes be perceived as a downer, this year, her spooky cobwebs and Snow White-gone-wrong dreamscapes seemed impossibly cheery. HAVE A LOOK: Read More
In town for the opening of his eponymous solo show at MARIANNE BOESKY GALLERY, Japan’s YOSHITOMO NARA just couldn’t help himself in the Subway at Union Station when the graffiti urge overtook him. Unfortunately, New York’s “Finest” don’t exactly see drawings as “art” when they’re on walls instead of paper and the delicate art star spent two days in the slammer. Ouch:
POP ARTIST YOSHITOMO NARA ARRESTED FOR GRAFFITI IN NEW YORK
March 10, Japan Today
Yoshitomo Nara, a contemporary Japanese pop artist known for sculptures and paintings of doe-eyed figures, was arrested in late February for tagging graffiti in the Union Square subway station, a New York Police Department official said Monday.
Nara was arrested at 3:10 a.m. on Feb 27 and charged with criminal mischief, possession of graffiti instruments, making graffiti and resisting arrest, detective Martin Speechley told Kyodo News in a phone interview. An official at a New York art gallery where Nara’s exhibits are currently on display said the artist has already been released.
Nara, 49, who lives and works in Tochigi Prefecture, was in New York for a solo exhibition of his work at the Marianne Boesky Gallery that runs Feb 28 through March 28. The online edition of Art in America magazine said Nara was caught tagging a graffiti portrait of two Japanese friends in the subway station and he was optimistic about his two days in lockup.
It was ‘‘a nice experience in my life,’’ the artist was quoted as saying. He said the environment in which he found himself was like something in the movies. Nara emerged on the art scene during Japan’s pop art movement in the 1990s and has held solo exhibitions worldwide. His works are on display at New York’s Museum of Modern Art. Click HERE to read more…
…and it hits stands Monday, March 2nd. Don’t sleep.
The undisputed master of Sci-Fi abstract psychedelia, San Francisco-based painter MARS-1 (aka: Mario Martinez) continues to amaze with a new series of kaleidoscopic paintings and bronze sculptures in his new “Nuclear Mystic” show that just opened at Chelsea art hotspot JONATHAN LEVINE GALLERY. Perhaps the most distinguishing aspect of Martinez’ work is the painstaking detail that goes into each painting anchoring his seemingly abstract compositions with a seemingly incongruous dose of meticulous rendering. HAVE A LOOK: Read More