Posts Tagged ‘Damien Hirst’
Art Basel Miami might be the art world's collective excuse to get puking drunk, throw money at strippers, pass out in a banana hammock on the beach (and look at art) in the middle of winter, but the annual OG Art Basel in—where else—Basel, Switzerland is a Read More
Say what you will about the quality (and quantity) of Damien Hirst's creative output, for better or worse, it never ceases to entertain. And so, with his newest exhibition of sculptural editions and prints, Lord Hirst of Bristol has produced one of the most amusing shows of his career with
It might seem like there's a major art fair every month at this point, but the original Art Basel is still the biggest and baddest. This year's event—which transpired in its namesake Basel Switzerland last week—showed that, unlike the kitschy Art Basel Miami, Read More
AIDS charity amFAR's annual gala was held last nite in Cannes where Damien Hirst's gold mammoth sculpture, Gone But Not Forgotten was auctioned off to Ukrainian businessman Leonard Blavatnik to the tune of $15,000,000 USD by auctioneer hosts Read More
This year's annual installment of Art Basel Hong Kong wrapped up last week, eating up all the spare change in Asia at the same time the Frieze fair and giant sales at Christie's, Sotheby's, and Phillips looted the pockets of New York's ruling class in a giant global art market money grab. Of course, the usual suspects were Read More
Say what you will about Damien Hirst as an artist—and there's always a lot to be said—but his generosity within the art world is legendary and is at the root of his latest sculpture, a prehistoric three-meter high Wooly Mammoth skeleton dipped in gold and encased in a giant gold-plated Read More
Last week, art world illuminati descended on Switzerland for the most serious installment of the Art Basel trade show franchise in the town where it all started. Unlike the debauched winter party that is Art Basel Miami or the new money fishing hole of Art Basel Hong Kong, Art Basel Switzerland is a serious affair where the big boys go to land serious deals (over $2B in art was on display this year) and the hedonism is second to the business of cashing big art checks. Read More
Art Basel is always the place to see and be seen in the art world and that experience expanded to the newest frontier of the global art market when the first annual Art Basel Hong Kong opened there last week. Focused in the single largest growth market for the art world, Basel HK featured a better mix of Western and Eastern artists than normal fairs with Asian artists like Takashi Murakami, Yoshitomo Nara, and Yayoi Kusama maintaining a large presence alongside the big money Western artists like Warhol, Basquiat, Ruscha, Prince, and Koons Read More
Looking for the perfect backdrop for that DAMIEN HIRST spot painting hanging in your living room? Might we suggest coating your walls in the British bad boy's signature butterfly print wallpaper? It's only $1,000 per roll, USD. Available from OTHER CRITERIA...
Our friends at ART IN AMERICA covered the scene well at the opening of DAMIEN HIRST's "End of an Era" show (so named because supposedly it's the last time his formaldahyde pieces will be shown) at GAGOSIAN's Madison Ave. gallery, but the NEW YORK OBSERVER did a good job summing up the show quite nicely:
IS THIS THE END OF A DAMIEN HIRST ERA?
By Alex Taylor | New York Observer Feb 2, 2010
It’s time we had a talk about Damien Hirst. I know, I know. Mr. Hirst, who was born in 1965 and came to prominence in the London art scene of the late 1980s as the first among equal of the Young British Artists, has for so long been ascending to the kind of fame perversely reserved for artists of maximum visibility and a minimum of formal skills that the mere mention of his name may prompt a fatigued groan even among the most detached museum-goer. That guy? Again? So what’d he do now? Mr. Hirst has been such a big player in art during the last decade and a half—everything from its calculated affronts and controversies to its biennial boom to the explosion in cost-and-scale: in short, the very market mechanism itself. If you are one of those people who don’t particularly like contemporary art or disagreed with the Met’s decision to display Mr. Hirst’s dead shark for three years, you probably think Mr. Hirst has a lot to answer for. This thought was occasioned by Hirst’s current show at the uptown Gagosian Gallery, which runs until March 6. “End of an Era,” its called. And the title feels just about right. Click HERE to continue reading…
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