Posts Tagged ‘Damien Hirst’
Last weekend saw the DAMIEN HIRST's first grand spectacle of 2009 when his daunting career retrospective "Requiem" opened at the PINCHUK ART CENTER in the unlikely city of Kiev, Ukraine. Not exactly known as an epicenter of fine art (unless you count the Ukrainian girls, that is), resident steel billionaire and obsessed Hirst collector VICTOR PINCHUK aims to change that by launching the epic visual spectacle that includes over 100 works (a vast amount of which came from Pinchuk's private collection) by the British artist from 1998 – 2008 in his own privately funded art palace that holds the title as the largest private museum in the former Soviet Union. The fact that this grandiose show of power comes at a time when...Read More
To officially launch the LIVESTRONG "Stages" benefit art show (full details below) powered by NIKE that will debut during LANCE ARMSTRONG's run in this year's TOUR DE FRANCE, an epic kickoff celebration was held on Saturday nite at Nike's MONTALBAN THEATER in the heart of Hollywood.Read More
In a sure sign of the state of the modern art world, the single artwork attracting the most attention at ARCO (the Madrid International Contemporary Art Fair) that opened today was not a masterpiece by DAMIEN HIRST, but rather a parody of the UK bad boy artist by EUGENIO MERINO depicting the master financial strategist encased in one of his own white display cubes, shooting himself in the head. Titled "For the Love of Gold" in reference to Hirst's $100 million diamond encrusted skull "For the Love of God," the hyper-realistic yet oddly contorted piece incorporates real human hair, glass eyes, and realistic blood pouring from a gaping hole in the cranium and was quickly snapped up on opening day by a Florida collector for $33,500 USD. Sounds like Damien's busy decorating his Miami winter home...
Not only did DAMIEN HIRST, the most controversial and highest paid living figure in the art world redefine how business is done late last year with his groundbreaking Sotheby's auction, he's managed to thumb his nose at the world of retail this week by opening a second London shop in the middle of the 21st Century Great Depression:
"Damien Hirst has defied the slump in U.K. consumer spending by opening a second shop in London. Other Criteria, the U.K. artist’s publishing and merchandising company, started the store this week at 14 Hinde Street in the Marylebone district. It sells works including some by Hirst himself ranging from his keyrings at 3.50 pounds ($5) to prints showing pills on mirror glass shelves, from an edition of 125, at 4,000 pounds ($5,800) each.
The first branch of Other Criteria opened in October in Bond Street next to Sotheby’s. The previous month, the auction house staged Hirst’s 111.5 million-pound sale, “Beautiful Inside My Head Forever.” Since then, U.K retailers have suffered in the economic slump. Woolworths Group Plc, MFI Group Ltd. and Zavvi Group were chains that collapsed and closed stores.
“Other Criteria makes objects and books created by artists to an exceptional standard,” said Hirst in an e-mailed statement. “I don’t think art has ever been as popular as it is today and Other Criteria aims to sell affordable art of the highest quality to everyone who wants it.” Click HERE to continue reading...
In THE HOURS’ new video for "See the Light," Hollywood danger girl SIENNA MILLER dons a hospital gown, gets trapped in a glass case in a bag shop, smokes, talks about suicide, cries a lot, undergoes an MRI scan, and smears herself in cow's blood in front of four eviscerated, wall-mounted bovine carcasses. If this last image brings to mind DAMIEN HIRST, that's no accident. Hirst, a friend of the band, was art director on the video, made by "American History X" director TONY KAYE. The Hours' singer, Antony Genn, has found a good friend in Hirst—the artist not only contributed artwork to their first record, 2001's "Narcissus Road," and to their forthcoming EP, also titled "See the Light," but has founded a record label, IS GOOD, to promote their music.
After a record-breaking solo auction at SOTHEBY’S in September that raised a record $200 million USD, DAMIEN HIRST has announced this week that he’s laying off half of his staff of London-based assistants that create the bulk of his art in a factory-style setting under his Science Ltd. studio umbrella. Having explained in July that he would cease production of some of his most (in)famous series of works including the spin, butterfly, and medicine cabinet lines, after the last offerings of each were sold at Sotheby’s, Hirst has scaled back his workforce accordingly, perhaps in anticipation of upcoming artwork that he promises will be more painterly and hands-on with less emphasis on the manufactured sculptural tableaux he’s become famous for. Around 20 of Hirst’s assistants who are earn a reported $30K USD each, have been let go, and although workers have been told not to speak to the press, the artist’s spokesperson Jude Tyrrell explained, “As previously stated by Damien, he is finishing a number of bodies of works which is why temporary contracts have not been renewed. We have to be mindful of the current economic climate and how this may affect us in the future." After all, art, above all else, must reflect one’s times, no?
In other Hirst news, have a look at Damien’s commentary on his recent entry into the BRITISH MUSEUM’s current “Statuephilia” show and the skull as a metaphor in his art:
It's been a long nite of watching mostly new money trophy hunters battle for big ticket modern art baubles at the first session of DAMIEN HIRST's much-hyped "Beautiful Inside My Head Forever" auction at SOTHEBY'S in London. Although the sale exceeded its overall $112,000,000 USD estimate to bring in a whopping $126,623,656 USD through the sale of 56 lots, the pieces that drew the biggest prices proved surprising. While the show's centerpiece, the massive 10 ton pickled bull installation, "The Golden Calf," was expected to easily exceed its auction estimate of $14,000,000 USD—$21,000,000 USD, and maybe even set a new sales record, the gavel banged at “only” the $17,960,802 USD mark. Meanwhile, the pickled shark known as "The Kingdom," which was only predicted to pull in between $7,000,000—$11,000,000 USD, wound up selling for a massive $17,242,370 USD. Other "stained glass" butterfly and skull spin art pieces also easily exceeded their not-so-conservative estimates proving beyond a shadow of a doubt that even with the recent banking industry collapse the modern art market is still wearing its recession-proof Kevlar vest with pride ("Can you believe this Lehman shit" was the banter of the eve). If that weren’t enough, 167 more Hirst lots will go on the block tomorrow in two additional day sales for a grand total of 223 pieces in all. If Mr Hirst’s master plan was to indeed prove that the gallery system is to established artists what the record industry is to music, he’s succeeded wildly (his longtime gallerist Larry Gagosian was notably absent from the proceedings, while other starmakers like Tony Shafrazi sat front and center). Whether today’s success can be replicated in the future by both Hirst and other artists with smaller PR staffs and less brightly lit halos remains to be seen. In the meantime, it’s a fun ride till the cart goes off the track. HAVE A LOOK: Read More
Just rolled into London to catch the upcoming DAMIEN HIRST auctions on Monday and Tuesday, September 15th & 16th at SOTHEBY'S. Titled "Beautiful Inside My Head Forever" sale is revolutionary in both size and precedent, as no other artist has ever offered this much original directly to the buying public via auction before. If all 223 pieces of art ranging from spin art skull paintings to new pickled tank animal pieces sell as briskly as critics are predicting, the British Bad Boy stands to net over £120 million from the sale. Not a bad take for a couple days of gavel banging. Stay tuned to Supertouch in the coming days for the full update...
The world’s highest-paid living artist, DAMIEN HIRST recently shelled out $160,000 of his hard-earned diamond skull money to a private collector for a wardrobe of original punk clothing created by Sex Pistols impresario MALCOLM McLAREN and VIVIENNE WESTWOOD for their legendary 1970s shop SEX & SEDITIONARIES, only to have it all declared fake by McLaren himself. Purchased from longtime McLaren archivist SIMON EASTON as an intended addition to Hirst’s private museum currently under construction, McLaren examined the entire collection at Hirst’s home shortly thereafter only to find the entire lot was comprised of authentic-looking bootlegs. “Seeing these clothes, I said, ‘Wow, they've gone to great lengths to manufacture the labels, and distress the fabrics,’” McLaren explained, “but clearly they were not the fabrics we used 35 years ago, and the stitching was totally different. And there were bags and bags of them. We simply didn't make that many. I mean, we literally made these clothes on my kitchen floor. They were each unique.” While Hirst remains under gag order pending legal action against the collector, Easton maintains that “absolutely everything my clients have purchased is authentic. McLaren actually had very little input in the design of the clothes; he’ll rewrite history on a daily basis. He has less knowledge about these clothes than the people who collect them.” Ever get the feeling you’ve been “cheet-ed”?...