Posts Tagged ‘London’
Proving once again why he’s one of the heaviest talents in the street art game, our Irish brother Conor Harrington has just finished another epic new large-scale mural on Spurling Road in London for the upcoming Dulwich Street Art Festival, running May 10th—19th. Titled “Dulwich Fight Club,” the image is based on a 17th century old master painting from the collection of the Dulwich Picture Gallery which has supplied all the source imagery for the murals in the project which is titled “Baroque The Streets.” Read More
Easily the most influential chameleon in rock history, David Bowie‘s storied career has seen him inhabit more personas than an accomplished schizophrenic, and at age 66, release a new album last month that debuted at #1 on iTunes and on UK record charts. The foremost arbiter of rock style and fashion at every generational and cultural pivot point, Bowie’s avant-garde futurism and absolute abhorrence of stasis has seen him generate a massive archive of personal artifacts, that, despite years of massive chemical intake and general debauchery, he had the presence of mind to preserve in an institutional grade archive (complete with its own full-time dedicated archivist) for posterity. It is from this incredible collection that London’s Victoria & Albert Museum assembled its current blockbuster visual retrospective of Bowie’s life & times, titled, appropriately enough, “David Bowie Is…” Read More
Currently on display at London’s Lazarides Gallery is a fantastic show of new work by Supertouch buddy Todd James (aka: REAS), the central theme of which is the continuation of his beautiful and funny “Somali Pirates” series. Read More
One of the Beatles’ most trusted personal photographers, David Bailey had a front row seat for some of the most epic moments in rock history, but few were as beautiful as this intimate & elegant 1965 photo session with just John Lennon & Paul McCartney in London. The suits and haircuts are immaculate and timeless, and the creative duo—who were then still close friends and collaborators just entering the peak of their careers—could teach the current generation of hipsters volumes about effortless style… Read More
Last weekend saw the DAMIEN HIRST's first grand spectacle of 2009 when his daunting career retrospective "Requiem" opened at the PINCHUK ART CENTER in the unlikely city of Kiev, Ukraine. Not exactly known as an epicenter of fine art (unless you count the Ukrainian girls, that is), resident steel billionaire and obsessed Hirst collector VICTOR PINCHUK aims to change that by launching the epic visual spectacle that includes over 100 works (a vast amount of which came from Pinchuk's private collection) by the British artist from 1998 – 2008 in his own privately funded art palace that holds the title as the largest private museum in the former Soviet Union. The fact that this grandiose show of power comes at a time when...Read More
Running obsessed British illustrator, artist, and toy junkie JAMES JARVIS brings his passion for “runner’s high” and the moving line together in this amazing animation for NIKE. Now if only a network would grow a pair and sign him to a full-length series…
BAKSY‘s back in 2009 with a couple fresh hits in Fogtown. Unsurprisingly, his sense of humor remains undaunted by these dark days…
Representing two diametrically opposed visual dialectics, the twin solo shows by eighty-one-year-old American painter CY TWOMBLY (“The Rose“) and forty-six-year-old Japanese pop artist TAKASHI MURAKAMI (“New Paintings“) currently on display at mega gallerist LARRY GAGOSIAN‘s twin London outposts (Brittania Street and Davies street respectively) create an incredibly exciting dynamic when considered in tandem. A progenitor of graffiti-style writing as fine art, Twombly earned his art world stripes in the late 1960s with challenging paintings depicting loose text-based scrawlings reminiscent of early bathroom stall graffiti. Murakami, currently the high priest of Pacific Rim postmodern Pop, is literally a product of his consumer-centric environment who both seeks to achieve the impossibly clean aesthetic of product in his artwork while simultaneously commodifying his art as product in and of itself. While the two bodies of work share little in common from a technical standpoint, the disparate shows are united in their visceral use of pulsating color. While Twombly’s five monumental rose paintings are loose and primal in their execution with color employed as a prime and raw edged emotional force, Murakami’s works are so tightly rendered as to appear silk-screened with colors employed as pure eye candy and reminiscent of the hues found in a toy store. Located within walking distance of one another, the disparate exhibitions make for a hell of an uplifting walking tour of the Old Country for those lucky enough to be able to still afford plane tickets these days, let alone the ever-elusive price of ownership. HAVE A LOOK: Read More
Not only did DAMIEN HIRST, the most controversial and highest paid living figure in the art world redefine how business is done late last year with his groundbreaking Sotheby’s auction, he’s managed to thumb his nose at the world of retail this week by opening a second London shop in the middle of the 21st Century Great Depression:
“Damien Hirst has defied the slump in U.K. consumer spending by opening a second shop in London. Other Criteria, the U.K. artist’s publishing and merchandising company, started the store this week at 14 Hinde Street in the Marylebone district. It sells works including some by Hirst himself ranging from his keyrings at 3.50 pounds ($5) to prints showing pills on mirror glass shelves, from an edition of 125, at 4,000 pounds ($5,800) each.
The first branch of Other Criteria opened in October in Bond Street next to Sotheby’s. The previous month, the auction house staged Hirst’s 111.5 million-pound sale, “Beautiful Inside My Head Forever.” Since then, U.K retailers have suffered in the economic slump. Woolworths Group Plc, MFI Group Ltd. and Zavvi Group were chains that collapsed and closed stores.
“Other Criteria makes objects and books created by artists to an exceptional standard,” said Hirst in an e-mailed statement. “I don’t think art has ever been as popular as it is today and Other Criteria aims to sell affordable art of the highest quality to everyone who wants it.” Click HERE to continue reading…
Last year saw the art market operating at unprecedented highs with works by blue chip artists being snapped up as commodities in an array of auctions that made the heads of even seasoned dealers spin. Of course, by year’s end Damien Hirst had claimed the title of “ultimate master of the game” with his masterfully timed, record setting “Beautiful Inside My Head Forever” Sotheby’s auction at the precise moment the entire worldwide financial market threw a rod and seized. Since then auction houses have been in the kind of despair heretofore known only to the American auto industry while the art market in general has slowed considerably in keeping with the beleaguered economy. The International Asian Art Fair scheduled to take place during this year’s NYC-based Armory show in NYC was even cancelled due to financial concerns and was quickly followed suit by the Moscow World Fine Art Fair (May) and the Salzburg Fine Art Fair (August) which were killed off entirely for 2009. Needless to say, the February auctions by Sotheby’s, Christies, and Phillips de Pury that began in London on February 5th and run through the 13th are off to a promising start with a smaller, more carefully curated collection bringing in nice returns (the Sotheby’s evening sale brought in $25,785,250 alone) and brightening expectations for this year’s art market considerably in the process:
“Predictions of an art market meltdown were confounded in London this week as six sales of impressionist, modern and contemporary art at Christie’s and Sotheby’s turned in solid results.
The auction houses managed to restore confidence to a jittery market with successful sales by radically shrinking the size of the catalogue and lowering estimates compared with last year. Some distress selling is, however, beginning to filter through.
Among the week’s highlights were a classic impressionist painting by Monet that fetched £11.2m, a Degas sculpture that sold for £13.3m and a carved stack of cartoon-like animals by Jeff Koons that made £2.8m. The day sales, which offer more moderately priced works, also proved successful.
“We feel a lot better than we did a week ago,” said James Roundell, a London dealer. “At best, people thought the sales would be patchy. These results send a positive message to the market.” Click HERE to continue reading…