Posts Tagged ‘London’
Just rolled into London to catch the upcoming DAMIEN HIRST auctions on Monday and Tuesday, September 15th & 16th at SOTHEBY'S. Titled "Beautiful Inside My Head Forever" sale is revolutionary in both size and precedent, as no other artist has ever offered this much original directly to the buying public via auction before. If all 223 pieces of art ranging from spin art skull paintings to new pickled tank animal pieces sell as briskly as critics are predicting, the British Bad Boy stands to net over £120 million from the sale. Not a bad take for a couple days of gavel banging. Stay tuned to Supertouch in the coming days for the full update...
When JIMI HENDRIX set fire to his sunburst Fender Stratocaster for the first time during a concert at the Finsbury Astoria in London in 1967, it was a momentous occasion in history of rock, and last week the same guitar set a new record when it fetched a massive $493,638 USD at a COOPER OWEN auction. Jimi played the Finsbury Astoria on the opening night of the Walker Brothers tour on March 31, 1967. While playing "Fire", he doused the guitar with lighter fluid and lit it up for the first time ever on stage before an astonished audience. When he then attempted to continue paying the instrument, he wound up in the hospital with minor hand injuries. The stunt was famously repeated after a bit more practice a few months later at the Monterey Pop Festival. After the show the guitar was stored in the office of Jimi’s press officer Tony Garland who ultimately stashed the Strat in the inauspicious hiding spot of his parent’s garage. It was forgotten about by everyone until Garland’s nephew unearthed the crispy relic on a recent cleanup mission. Today the guitar remains one of the only instruments to remain accurately setup for Jimi’s playing style and is the only fully intact burned instrument in existence. READ ON: Read More
Pop/graphic artist JOHN PASCHE’s original artwork for THE ROLLING STONES' iconic lips & tongue logo—based on Mick Jagger's big mouth—has just been bought by the VICTORIA AND ALBERT MUSEUM in London for $92,500 USD. The acquisition funds were secured with the help of The Art Fund charity, which donated 50% of the cost. The 14-inch square color separated, handpainted artwork comes with a color print. Paid just paid £50 for creating the artwork in 1970 while still an art student at the Royal College of Art at Jagger’s request, Pasche’s enduring image has since become one of the most recognized pieces of graphic art in the world and an icon of an era. The logo’s first use was on the inner sleeve of the 1971 Album “Sticky Fingers” featuring cover art by Andy Warhol, a fact that led to the Pop artist being erroneously credited for the image since its inception. The newly acquired piece will be housed in the V&A’s permanent collection, which represents largest assemblage of decorative arts and design in the world. The fact that Pasche used to wander the halls of the museum as an art student is a particularly fitting bit of irony. To read the full story of the logo’s creation, READ ON: Read More
Opening to a packed house of London's hipster elite at the art star-making LAZARIDES GALLERY last Friday nite was TODD JAMES' (aka: REAS) first solo show in the Old Country, the aptly-titled "Blood & Treasure." Featuring over 20 large-scale new works addressing the current state of armed conflict around the world, the show represented some of James' most inspired and visually complex imagery to date, none of which had any difficulty in finding homes with well-heeled collectors before the gallery doors even opened to the public. For more on the show, check out our recent interview with Mr. James. In the meantime, HAVE A LOOK: Read More
British sculptor and scarily dedicated KATE MOSS fan MARC QUINN whose incredible sculptures of the aging supermodel in a variety of yoga poses made even the most art oblivious take note in 2006 has announced that a $2.8 million, 110-pound solid gold statue of his most prominent Moss sculpture will be unveiled at the BRITISH MUSEUM in October. Hailed as the largest gold sculpture built in the world since ancient Egypt, the new work will take center stage at a group show of new artwork by leading modern British Artists including Damien Hirst. Says Quinn of his inspiration for the work, "I thought the next thing to do would be to make a sculpture of the person who's the ideal beauty of the moment, but even Kate Moss doesn't live up to the image." Keep an eye on ST for a closer look at the sculpture as the exhibition opening approaches. HAVE A LOOK: Read More
The French & British finally made amends when Supertouch's own art frog WK INTERACT and limey street artist ANTHONY LISTER teamed up for an imaginatively titled joint art show, "WK - Lister," at the progressive ELMS LESTERS PAINTING ROOMS. Opening last week to a throng of rabid fan boys & girls, the sellout show—especially notable for including WK's first color works ever—proved once again, that the art world is now officially recession-proof. HAVE A LOOK: Read More
It's summer in London (yes, that cold dankness is considered "sunny weather"), and the city walls have once again bloomed with the fresh artwork of Supertouch's own French street art ambassador, WK INTERACT. In town for the opening of his joint art show with fellow painter ANTHONY LISTER at the venerable ELMS LESTERS PAINTING ROOMS, monsieur Interact has once again left his signature black & white fingerprints on some of the city's prime real estate. HAVE A LOOK: Read More
As penance for the over-the-top blinged out art extravaganza that was his "Dirty Cash" show at the FLAWLESS GALLERY last month, London street sniper (and avowed foot fetishist) INSA threw a decidedly more low-rent but heavily alcohol-soaked East End bash for 500 of his closest friends last week replete with new art, free T-shirts, dancing girls, heavy doses of the aforementioned alcohol, and music by DJ ACYDE, KAM, and BURAKA SOM SISTEMA. Few in attendance are able to actually recall the night's proceedings, a sure sign that the event was indeed a success. HAVE A LOOK: Read More
In an effort to thwart bootlegging and the resale of his illegally placed street installations, national living art treasure, knight of the Queen's court, and minister of tourism BANKSY (Sir Banksy, to the common man), has just established an official certification board to authenticate his artworks prior to resale. Yes, you read that right. Appropriately named "Pest Control," the Banksy-appointed committee has declared that all major resellers of his work must consult them first before any secondary market work can be considered truly authentic. A member of Banksy's camp reports, “The works are made for specific sites, and taking them is tantamount to theft. That is why Banksy has approved this authentication system. He certainly doesn’t want the people who’ve removed them making money out of it.” This move comes after three inauthentic works attributed to Banksy went on sale at Bloomsbury Auctions in London without prior certification. And so turns yet another incredible page in the grand work of performance art that is Banksy's career...
“My aim is to create beautiful objects of desire in order to explore the relationship between sex, commodity and art. I want to show how our longing for products, material objects and even artworks themselves can be sexual, almost fetishistic.”
So went the telling manifesto of Supertouch buddy INSA’s exceptionally decadent and aptly-named “Dirty Cash” exhibition that opened on July 3rd at the FLAWLESS GALLERY in London. Presented by luxury cellphone purveyors—and makers of the world’s first million dollar cell—GOLDVISH (think new money Russian gangster wives) in conjunction with London’s ultra high-end diamond & platinum encrusted bling dealers, FLAWLESS & Co, Mr Insa—tongue planted firmly in cheek—took a giant step into the world of the ridiculous as the ultimate extension of his creative M.O. and the wildly escalating street art market with an exhibition of his typically glorious, well-oiled, & Bode-esque naked lady paintings. Known for his steady street work and regular shows at counterculture galleries worldwide, the artist is more the type to be turned away from these diamond retailers than embraced by them, making the show an even better get. Needless to say, the monied & curious turned out in droves, wallets in hands, disturbed, no doubt, to find that none of the artist’s paintings incorporated any real diamonds affixed to the canvases. HAVE A LOOK: Read More