Posts Tagged ‘Rock of Ages’
One of the Beatles’ most trusted personal photographers, David Bailey had a front row seat for some of the most epic moments in rock history, but few were as beautiful as this intimate & elegant 1965 photo session with just John Lennon & Paul McCartney in London. The suits and haircuts are immaculate and timeless, and the creative duo—who were then still close friends and collaborators just entering the peak of their careers—could teach the current generation of hipsters volumes about effortless style… Read More
Has it really come to this?:
“Troubled music company EMI Group PLC is talking to potential buyers for Abbey Road Studios, the hallowed London facility where the Beatles did most of their recording, according to a person familiar with the matter.
The talks are the latest sign of distress at the world’s No. 4 music business, which has floundered since being acquired in a 2007 leveraged buyout by private-equity firm Terra Firma Capital Partners Ltd.
Terra Firma is attempting to avoid default on a £950 million ($1.49 billion) loan backed by EMI Music, the company’s struggling recorded-music business. It needs to raise more than £100 million from Terra Firma’s investors to keep from defaulting on the Citigroup loan.
A sale of Abbey Road—which EMI hopes is worth tens of millions of pounds—wouldn’t have any impact on that effort, a person familiar with the matter said. The transaction is too small to make a difference, and in any case wouldn’t likely be completed in time to boost Terra Firma’s latest fund-raising effort.” Click HERE to continue reading at the WALL STREET JOURNAL…
Meanwhile, PAUL McCARTNEY told the BBC: “There are a few people who have been associated with the studio for a long time who were talking about mounting some bid to save it. I sympathize with them. I hope they can do something, it’d be great.”
Portraits of Keef by German painter Sebastian Kruger…
JOHNNY DEPP has announced that he’ll soon be directing an in-depth documentary on legendary rock cockroach KEITH RICHARDS. “I’m very touched that Keith has agreed to show up in front of my cameras,” said Depp, whose last rock documentary was a short film titled “Stuff” chronicling the squalid living conditions of a then-dying John Frusciante after he’d quit the Red Hot Chili Peppers and settled into a life of speedball-fueled seclusion in his Hollywood Hills home (which later burned down). We can only imagine that Mick is probably lining up his own rival documentary crew at this very moment…
Johnny Depp’s “Stuff”, a Film About John Frusciante:
We at Supertouch have literally not purchased a single physical CD in well over a year. Given that fact, news of the imminent release of a fully remastered BEATLES back catalog in both stereo and true mono mixes accompanied by all original artwork and packaging comes brings a tear of joy to our jaded eyes. This is because the entire range of true studio albums has not been upgraded since first being transferred to CD in the 80s with some of the least dynamic, fully crap digital transfers ever produced. The NY TIMES breaks it down in full:
“Like the original set of Beatles CDs, released in 1987 and not upgraded since, the reissue series will include only the 12 albums the Beatles released in Britain between 1963 and 1970, from “Please Please Me” through “Let It Be,” along with “Magical Mystery Tour” — an American album that was originally released as a two-EP set in England — and the two-CD “Past Masters” compilation of the group’s nonalbum singles. All told, the set includes 16 CDs. (Beatles projects are typically tightly guarded; few outside EMI have heard the remasters yet.) Compilations released since 1987, including the “Beatles Anthology” series, “The Beatles Live at the BBC,” “Yellow Submarine Songtrack,” “1” and “Love,” the soundtrack for the Cirque du Soleil show in Las Vegas, are not included in the new series. Nor are the two “Capitol Albums” boxed sets, which presented several of the Beatles’ albums in the versions released in the United States.
The main reason collectors have been so intent on reissues of music they already own is that the 1987 CDs, like many discs released in the early years of the format, sound comparatively harsh and brittle by today’s standards. Since then, improvements in digital sound technology and remastering equipment have yielded a richer, smoother sound, and most of the major groups and artists from the 1960s — from Bob Dylan, the Byrds and Simon and Garfunkel to the Rolling Stones and Pink Floyd — have had their catalogs refurbished at least once since their first appearance on CD. And the Beatles’ own recent releases, including the “Capitol Albums” and “Love” discs, showed that the band’s recordings could sound vastly better — warmer and with far greater presence — than they do on the 1987 discs.” Click HERE to continue reading…
Though the band technically still has four living, breathing members, Metallica has been dead and gone for years. Luckily, stepping in to fill that monstrous gap is Atlanta-based MASTODON whose hybrid hard rock/metal sound is every bit as heavy (and members as hairy) as the name. Released last week, the band’s fourth album (following 2006’s incredibly epic “Blood Mountain”) “Crack The Skye” is a brutally gorgeous seven-track ticket to heaven via a long and twisted road through czarist Russian Hell. Continuing the band’s penchant for thematic content, the new disc focuses on they mythical life of Rasputin, whose existence the Mastodonians embellish with an array of compulsory metal mythology. The record’s story arc is perhaps best described by the band’s guitarist Bill Kelliher:
“There is a paraplegic and the only way that he can go anywhere is if he astral travels. He goes out of his body, into outer space and a bit like Icarus, he goes too close to the sun, burning off the golden umbilical cord that is attached to his solar plexus. So he is in outer space and he is lost, he gets sucked into a wormhole, he ends up in the spirit realm and he talks to spirits telling them that he is not really dead. So they send him to the Russian cult, they use him in a divination and they find out his problem. They decide they are going to help him. They put his soul inside Rasputin’s body. Rasputin goes to usurp the czar and he is murdered. The two souls fly out of Rasputin’s body through the crack in the sky(e) and Rasputin is the wise man that is trying to lead the child home to his body because his parents have discovered him by now and think that he is dead. Rasputin needs to get him back into his body before it’s too late. But they end up running into the Devil along the way and the Devil tries to steal their souls and bring them down…there are some obstacles along the way.”
When questioned about the archaic spelling of the word Skye in the disc’s title, Dailor went on to explain that “Crack the Skye” is also meant as an homage to his sister, Skye Dailor, who committed suicide at age 14: “My sister passed away when I was a teenager and it was awful, and there’s no better way to pay tribute to a lost loved one than having an opportunity to be in a group with my friends and we make art together. Her name was Skye, so Crack the Skye means a lot of different things. For me personally, it means the moment of being told you lost someone dear to you, [that moment] is enough to crack the sky.”
As a bonus for fans who still BUY music, the iTunes version of “Crack the Skye” comes with the to-die-for bonus of an instrumental version of the entire disc that plays like a full-fledged metal symphony in seven parts. Touring across the US now, and throughout Europe this summer with (unfortunately) Metallica, the prehistoric rockers should be considered a must-see for even the most jaded live music fan.
Read the NYTimes review of “Crack the Skye” HERE.
Mastodon were the first Western band to ever record the kazak national anthem…
We’ve said it many times before on ST: We don’t do streetwear collabs here, but this one’s bulletproof (and guaranteed to leave a nation of young sneakerhead zombies scratching their heads wondering who LOU REED is). Too bad the old man’s not still in his “Transformer” period…
Undoubtedly, a legion of young hipsters, streetwear fashionistas, and luxury goods junkies would be left scratching their heads in bewilderment if pressed to elaborate on the legacy of STEPHEN SPROUSE. Luckily, the legendary downtown art shrine known as DEITCH PROJECTS, in collaboration with Parisian luxury brand LOUIS VUITTON has provided an immersive introduction to the late artist’s indelible legacy in the form of their epic “Rock on Mars” retrospective exhibition that opened its doors to a cadre of NYC’s illuminati last nite. A pioneering designer who cut his teeth in the fertile late ’70s & early ’80s downtown scene (his earliest client was downstairs neighbor Debbie Harry), Sprouse daringly infused day-glo graphic elements of crucial counterculture scenes like graffiti, punk, and hippies into an array of groundbreaking and always rock-centric fashion statements over the course of his roughly 20 year career. Forever plagued by soaring highs and crushing financial lows, the designer was rescued from the brink of obscurity by Marc Jacobs when the designer tapped him to create a new line of instantly sold-out designs for Louis Vuitton in 2001, effectively revitalizing his name in the process. Unfortunately, lung cancer would claim the Sprouse’s life in 2004 exactly at the precipice of a major comeback that would never be. Funded by Louis Vuitton as a grand homage to the oft-underappreciated visionary, the Deitch exhibition collected previously unshown fine artworks originally created by Sprouse for an unrealized show called “Rock on Mars,” with vintage fashion drawings and iconic clothing designs to provide the most comprehensive overview of the artist’s prodigious oeuvre ever assembled. Opening to the public this weekend, the show is the first must-see event of the New Year, shining a much-needed light on an otherwise gloomy art scene still coping with the “morning after” of 2008’s crippling economic collapse. HAVE A LOOK: Read More
It seems KAWS has finally hit the big time with his artwork for the special edition packaging of KANYE WEST‘s new “808s & Heartbreak” album hitting Times Square this week. Based on a painting featured in KAWS’ recent NY show at GERING & LOPEZ GALLERY, the cover is available for a limited time on physical copies of the CD at select retailers.
It may only be January 6th but 2009 has already claimed its first casualty of rock royalty. This morning the body of Supertouch friend and heretofore living legend of punk guitar RON ASHETON of Detroit supergroup, THE STOOGES was discovered in his home in Ann Arbor, Michigan. Suspected of dying several days ago of unknown causes, the 60-year-old was found by local police after a personal friend reported an inability to reach Ronnie for several days. Ironically, Asheton died in the same home where the first rehearsal with Iggy Pop and fellow Stooges Scott Asheton and Dave Alexander took place in 1967. His phone number was, until this day, the very same that a teenaged, trailer park-bound Jim “Iggy” Osterberg would call to arrange rehearsal times during the summer of love. Having effectively pioneered what would become the template for true punk rock guitar on the Stooges gorgeously ugly and iconoclastic debut “The Stooges” in 1969, Asheton went on to perfect the sound on the band’s subsequent masterpiece “Fun House” in 1970, an LP that remains one of rock’s high water marks to this day. At a time when the rest of Pop Culture was coming to grips with the imminent demise of an imaginary hippie wonderland, one only needed to listen to Read More
Supertouch buddy and self-proclaimed “voice of a generation” KANYE WEST has upped the ante on his highly anticipated new album “808s & Heartbreak” by drafting fast-rising Pop Art star KAWS to design a custom cover available exclusively on the iTunes version of the album dropping Tuesday, November 25th, and in stores on December 16th as a sepcial Christmas edition of the record.