Posts Tagged ‘Shepard Fairey’
Creating SHEPARD FAIREY's new TREK MADONE racing cycle for LANCE ARMSTRONG's run in this month's GIRO D'ITALIA was no easy task. Luckily, Trek artist SHANE SIEDSCHLAG is nice with a blade and a decal sheet...
When pressed about Shep's new bike in Rome today, Lance told an AP reporter: "I'm a fan of his artwork. I collect his artwork. The bike that he did for this race I think is pretty stunning."
Here we have the very first sneek peek at LANCE ARMSTRONG's newly completed Supertouch-curated TREK art bikes for his run in the upcoming GIRO d’ITALIA by artists SHEPARD FAIREY and KENNY SCHARF. The world's most prestigious cycling stage race after the legendary Tour de France, the Giro is celebrating its 100th anniversary in 2009, coincidentally the first year Lance has ever entered the race. Lending their formidable creative talents to the challenge, Shepard and Kenny created two vastly different and utterly unique cycles to draw attention to Lance's upcoming NIKE-backed "STAGES" anti-cancer art show benefiting LIVESTRONG that will debut on July 16th in Paris at GALERIE EMMANUEL PERROTIN during the TDF. Getting up on Lance's "daily driver" Trek Madone road bike, Shepard Fairey created a vibrant homage to Lance's cancer fighting foundation while including ancient patterning in homage of Italy's rich architectural details. NYC Pop Art legend Kenny Scharf took a totally different approach to Lance's Trek TTX time trial cycle and created the "lightspeed" space bike that will hopefully hurtle Tex across the finish line in record time. Both bikes will be auctioned off on October 2nd (10/2 marks the date of Lance's original cancer diagnosis) at the NYC stop of the "Stages" art tour with all proceeds going to benefit Livestrong. Look for detailed official photos of both bikes here on ST in the next few days. Meanwhile, ENJOY THE PEEK: Read More
It was only a matter of time, Supertouch's own SHEPARD FAIREY's iconic OBAMA campaign artwork finally made its way to SOUTH PARK last nite where the Big O received the typical Matt & Tre makeover on the season's latest episode. Watch it HERE...
BOSTON VANDALISM CHARGES STIR DEBATE ON ART’S PLACE
By Abby Goodnough, NYTimes
BOSTON — This may be the only place in America where Shepard Fairey, the street artist whose omnipresent portrait of Barack Obama has become a touchstone, is not fully feeling the love.
Mr. Fairey appeared in two municipal courts here this week to fight a cascade of vandalism charges accusing him of pasting his work on public and private property from the Back Bay to Roxbury. While this is not his first encounter with the police — Mr. Fairey has been arrested more than a dozen times for posting his art on whatever surface catches his eye — it appears to be his biggest legal tangle to date.
By Wednesday, Mr. Fairey, who lives in Los Angeles, had pleaded not guilty to one misdemeanor and 13 felony charges; his lawyer said the police were pursuing 19 more counts.
In a statement Tuesday, Mr. Fairey accused the police of “gratuitous piling on” and suggested he was being punished for advocating that public space “should be filled with more than just commercial advertising.” On the advice of his lawyer, Jeffrey Wiesner, he declined an interview request.
Mr. Fairey’s court appearances came a month after he was arrested on Feb. 6 as he arrived at the opening-night party for his retrospective at the Institute of Contemporary Art. His cab was approaching the museum when the police stopped it, handcuffed him and took him to jail overnight. Click HERE to continue reading…
A wise man once said "writing about art is like dancing about architecture," but in a world where oceans of self-aggrandizing "artspeak" usually says much about an author's ego and little to nothing about artwork itself, Supertouch's own resident legendary art writer CARLO McCORMICK is the exception to the rule. This month finds him penning an incredibly astute piece on SHEPARD FAIREY for ART IN AMERICA from the rarified perspective of a genuinely street-level art world insider more at home on the Bowery than in Chelsea. At a time when the slow-moving mainstream art world and its legion of stiff-jointed scribes are playing years of painful catch-up on the "street art" game, this is a must-read:
By Carlo McCormick | Art in America
In a thank-you note written by Barack Obama to street artist Shepard Fairey for the pictorial provocateur’s singular contribution to branding his campaign for the presidency, the then senator wrote: “The political messages involved in your work have encouraged Americans to believe that they can help change the status-quo. Your images have a profound effect on people, whether seen in a gallery or on a stop sign.”
High praise indeed from such a highly regarded public figure. But what it ultimately says—that there is a cultural equivalence between fine art shown in established venues and artistic expressions put up illegally on private or government property—represents a tacit sanction of street art from the leader of the free world that is a dramatic shift in the perceived role of art as a radical tool of social intervention.
Emblazoned in our collective mind’s eye as a defining icon of optimism and change, Fairey’s Obama Hope poster, certainly one of his most endearing and personable images, is such a signature work that the original collage was recently acquired by the Smithsonian’s National Portrait Gallery, and related images graced the covers of Time and Esquire. It is, however, not a fleeting pop-culture sensation but simply the latest crossover hit in a long line of underground classics.
Fairey has made such an indelible mark on our visual landscape that it is difficult to avoid the platitudes we might otherwise eschew in the discourse of contemporary art. As he comes under greater scrutiny from the art establishment with a major retrospective of his work, now on view at Boston’s Institute of Contemporary Art, it is worth noting that his renown has grown organically from the streets and a global youth culture that the mainstream art world has only a vague grasp of. Click HERE to continue reading...
To officially launch the LIVESTRONG "Stages" benefit art show (full details below) powered by NIKE that will debut during LANCE ARMSTRONG's run in this year's TOUR DE FRANCE, an epic kickoff celebration was held on Saturday nite at Nike's MONTALBAN THEATER in the heart of Hollywood.Read More
Launching tonite at NIKE's MONTALBAN THEATER is news of the upcoming "Stages" art show that will debut in July at GALERIE EMMANUEL PERROTIN in Paris during LANCE ARMSTRONG's run in this year's TOUR DE FRANCE. An exhibition curated to reflect the personal art collecting tastes of Lance himself, the exhibition was developed by Nike to illustrate LIVESTRONG's expanded global outreach in the fight against cancer and as a means of engaging the creative community in the shared struggle. Launching on July 16th, the show will feature nearly thirty original artworks reflecting on some aspect of the cancer struggle by a diverse roster of emerging and established artists including ED RUSCHA, RAYMOND PETTIBON, KAWS, ROSSON CROW, JR, TARYN SIMON, CHRISTOPHER WOOL, JULES DE BALINCOURT, SHEPARD FAIREY, JOSE PARLA, AARON YOUNG, MARC NEWSON, KENNY SCHARF, OS GEMEOS, YOSHITOMO NARA, ERIC WHITE, and DZINE, to name just a few. To highlight the event, Lance will be riding a special series of "art bikes" in the Tour de France created in collaboration with TREK and designed by none other than modern art and design masters MARC NEWSON, TAKASHI MURAKAMI, and DAMIEN HIRST. To put a giant face on the campaign, SHEPARD FAIREY wrapped the side of the Montalban theater in his new artwork for Livestrong depicting Lance as the two-wheeled cancer fighting machine that he was born to be. Stay tuned for more "Stages" details coming from ST soon...
Our man SHEPARD FAIREY has been under a lot of scrutiny in the public eye since he opened fire on the ASSOCIATED PRESS last month with a lawsuit refuting a claim by the AP to the rights to his guerilla OBAMA campaign artwork because his portrait of the then-president elect was based on a photo allegedly under the domain of the photo agency. Leading the charge for the protection of "fair use" rights for all artists, Fairey is prepared to go all the way in his legal battle with pro bono support from the STANFORD LAW SCHOOL FAIR USE PROJECT. Last week, NATIONAL PUBLIC RADIO's TERRY GROSS interviewed Shepard extensively on the subject, which can be heard in its entirety (25 minutes) HERE.
Apparently, CBS SUNDAY MORNING is officially in the "Street Art" game now, following up their recent KAWS profile with a new segment this morning on SHEPARD FAIREY. Unfortunately the MILF-tastic Serena Altschul wasn't tapped to helm the piece, but the awesome animated spray paint can intro and robotic suburban housewife narration provide ample entertainment nonetheless. The most amazing revelation of the segment? Aside from the gray hair, Shepard still looks almost identical to his elementary school portrait...
This morning, SHEPARD FAIREY appeared in Roxbury District Court in Boston where he pleaded not guilty to vandalizing property in the city and was released on personal recognizance after his arraignment. He still faces charges in a separate case for other alleged vandalism that he will appear at Brighton District Court to enter a plea on soon. Meanwhile, read more about Shepard's Boston arrest at the BOSTON PHOENIX & THE ASSOCIATED PRESS
RELATED STORY: "Timing questioned by artist in arrests," Boston Herald