Posts Tagged ‘Shepard Fairey’
Supertouch's own SHEPARD FAIREY was arrested for alleged vandalism claims while attempting to enter the grand public opening of his first museum solo show at the INSTITUTE OF CONTEMPORARY ART/BOSTON last nite. Currently he's out on bail and awaiting a court appearance in Boston on Monday:
"A street artist famous for his red, white and blue "Hope" posters of President Obama was arrested in Boston, where he was wanted on warrants for tagging property with graffiti.
Shepard Fairey, 38, was arrested Friday night on his way to the Institute of Contemporary Art. Fairey was scheduled to deejay a kickoff event at the museum for his first-ever solo exhibition, called "Supply and Demand."
Two warrants were issued for Fairey on Jan. 24 after police determined he’d tagged property in two locations with graffiti based on the Andre the Giant street art campaign from his early career, Boston Police Officer James Kenneally said Saturday.
Fairey, of Los Angeles, is scheduled to be arraigned on the misdemeanor charges Monday in Brighton District Court, said Jake Wark, a spokesman for the Suffolk District Attorney. Wark said Fairey would also be arraigned on a default warrant related to a separate graffiti case in the Roxbury section of Boston.
Fairey has spent the last two weeks in the Boston area installing the ICA exhibit, giving public talks and creating outdoor art, including a 20-by-50 foot banner on the side of City Hall, according to a statement issued Saturday by the ICA.
The museum described the reason for Fairey’s arrest as "his efforts posting his art in various areas around the city."
"We believe Shepard Fairey has made an important contribution in the history of art and to popular thinking about art and its role in society," the statement said. "We are enthusiastic to be working with him and are pleased to be showing the first museum retrospective of his work."
The museum said Fairey was released a few hours after his arrest, but that could not immediately be confirmed by authorities. A California lawyer who has represented Fairey in the copyright case didn’t immediately respond to an e-mail seeking comment on the arrest." Click HERE to continue reading...
Our own SHEPARD FAIREY has been a near constant presence on Supertouch of late, but what can we say, the last year has belonged to him. Capping off an epic string of career milestones beginning with his street level branding of the Obama campaign to being inducted into the Smithsonian and the attendant media blitz that ensued–most famously with his appearances on The Colbert Report and Charlie Rose, Ol' Shep managed to cap it all off last nite with the VIP preview of his career retrospective art show "Supply & Demand" at the INSTITUTE OF CONTEMPORARY ART/BOSTON. Of course there were even more media microphones and cameras there (that's after doing two days of press before hand), but this time so was his loyal legion of diehard fans, which made it all worthwhile. Just to up the irony factor, local government just unveiled a massive Shepard mural outside the entrance of historic City Hall with the Mayor presiding over the occasion. Looks like art crime pays after all. HAVE A LOOK: Read More
The concept of "Fair Use" has been a frequent subject of discussion here on Supertouch lately. The ASSOCIATED PRESS' new claim that SHEPARD FAIREY's ubiquitous artwork created for BARACK OBAMA's presidential campaign violates the copyright of a photo in their archive will now prove yet another test of this conceptual cornerstone of the modern art world:
On buttons, posters and Web sites, the image was everywhere during last year's presidential campaign: A pensive Barack Obama looking upward, as if to the future, splashed in a Warholesque red, white and blue and underlined with the caption HOPE.
Designed by Shepard Fairey, a Los-Angeles based street artist, the image has led to sales of hundreds of thousands of posters and stickers, has become so much in demand that copies signed by Fairey have been purchased for thousands of dollars on eBay.
The image, Fairey has acknowledged, is based on an Associated Press photograph, taken in April 2006 by Manny Garcia on assignment for the AP at the National Press Club in Washington.
The AP says it owns the copyright, and wants credit and compensation. Fairey disagrees.
"The Associated Press has determined that the photograph used in the poster is an AP photo and that its use required permission," the AP's director of media relations, Paul Colford, said in a statement.
"AP safeguards its assets and looks at these events on a case-by-case basis. We have reached out to Mr. Fairey's attorney and are in discussions. We hope for an amicable solution."
"We believe fair use protects Shepard's right to do what he did here," says Fairey's attorney, Anthony Falzone, executive director of the Fair Use Project at Stanford University and a lecturer at the Stanford Law School. "It wouldn't be appropriate to comment beyond that at this time because we are in discussions about this with the AP."
Fair use is a legal concept that allows exceptions to copyright law, based on, among other factors, how much of the original is used, what the new work is used for and how the original is affected by the new work. Click HERE to continue reading...
2009 really is SHEPARD FAIREY's year; we're just living in it. On the eve of today's press preview of his massive retrospective art show at the INSTITUTE OF CONTEMPORARY ART/BOSTON, Shepard spoke to CHARLIE ROSE last nite about the intricacies of branding a presidential campaign from street level.
Dedication. What you can't see is the George W. Bush tatt it's covering up...
Beginning in the 1970s, legendary NYC street photographer MARTHA COOPER captured some of the most indelible images of the vibrant upstart Hip Hop culture of pre-reconstruction Manhattan. Her massive body of color photographs documents the most crucial movers and innovators of the era, from the then-burgeoning realms of bombing, breaking, rapping, alongside everyday peeps straight-up bugging out on the block. Snapshots of what already seems like a long-bygone era when downtown was still a dirty word, rats had the right-of-way, and curb culture wasn't yet a marketing tool are reminders of the true meaning of early Hip Hop and the power and innovation of youth culture the likes of which we might not see for some time. Currently on display at SHEPARD FAIREY's Echo Park gallery, SUBLIMINAL PROJECTS is "Street Shots," a must-see selection of some of Cooper's greatest hits with visuals so vivid the sounds and smells of the era almost leap from the prints. And that’s a good thing. HAVE A LOOK: Read More
As if SHEPARD FAIREY's inclusive "Manifest Hope DC" art show honoring still-President Elect BARACK OBAMA's epic inauguration tomorrow needed any more heat, his crew of celeb homies showed up in full force to show their support in frigid DC. Rounding out the nite were rockers MOBY and MICHAEL STIPE, alongside actors JOAQUIN PHOENIX (chugging two beers at a time), HEATHER GRAHAM, CASEY AFFLEK, and ROSARIO DAWSON who all attested to the Big O's greatness before digging on intimate performances by hipster elite SANTOGOLD and OG hip hop legends DE LA SOUL. Of course Supertouch buddy and "Manifest Hope"/Obama Campaign artist TRISTAN EATON was on hand to chronicle the debauchery, the least of which we can show you here. HAVE A LOOK: Read More
In honor of his historic induction into the Smithsonian Museum's National Portrait Gallery on Saturday, today's MARTIN LUTHER KING DAY homage comes from Supertouch's own SHEPARD FAIREY. Being the global art phenomenon that he is, Shepard was also asked by the search engine gangsters at GOOGLE to design their MLK banner for today. Have a LOOK.
Shepard Fairey's criminal record has been officially wiped clean... As momentous an occasion in the world of underground art—albeit on a much smaller scale—as BARACK OBAMA's victory on the national stage was the induction of presidential propagandist SHEPARD FAIREY's portrait of our new leader into the NATIONAL PORTRAIT GALLERY at the SMITHSONIAN MUSEUM on Saturday. The first official portrait of the president-to-be recognized in an American cultural institution, Shepard's image shatters the barriers of acceptability of the so-called worlds of "underground" and "street" art to catapult one of its foremost talents to the hallowed halls of history, and forever brightening the school field trips of young museum goers in the process. It's a brave new world out there people, art world 2.0 begins now. HAVE A LOOK:Read More
Just in time to celebrate President-Elect BARACK OBAMA's upcoming inauguration on January 20th, the SHEPARD FAIREY-organized MANIFEST HOPE DC art show (in collaboration with MoveOn.org) has opened its doors to the public in the nation's capitol. An extension of the original "Manifest Hope" show last year at the Democratic National Convention, this year's installment enjoys the distinction of celebrating a hard-won change instead of stating the case for it. Featuring original artwork by a diverse array of artists including Shepard Fairey, Tim Biskup, Tristan Eaton, Ron English, David Choe, Maya Hayuk, Andy Howell, Chris Pastras, HAZE, Travis Millard, House Industries, HVW8, Zoltron, JK5, Justin Hampton, Robbie Conal, and Sam Flores, the inclusive show is intended to reflect the grassroots movement that helped propel Obama to unheard of stratospheric heights. HAVE A LOOK:Read More