When pressed about Shep’s new bike in Rome today, Lance told an AP reporter: “I’m a fan of his artwork. I collect his artwork. The bike that he did for this race I think is pretty stunning.”
Unfortunately for the frighteningly stagnant LA art scene most of the great shows of the last few years have been by non-LA artists. Luckily for LA, we get a regular stream of good shows by non-LA artists to keep us happy. The most recent of said exhibitions is by LA-born, but NYC-based painter KEHINDE WILEY whose new collection of figurative masterworks “The World Stage: Brazil” opened this weekend to a packed house at Culver City art hotspot ROBERTS & TILTON GALLERY. Choosing his subjects for this series from the notorious favelas of Rio de Janeiro, Wiley asked each to assume the pose of a local sculptural work on display in the city as a means of interpreting the country’s storied colonial history through the images of some of its most vibrant modern inhabitants. The results, as always with KW, were staggering and this new collection of grandiose portraits is exactly the shot in the arm the Southland needs to help kickoff the 2009 gallery season with a fresh breath of colorful optimism. HAVE A LOOK: Read the rest of this entry »
Though the band technically still has four living, breathing members, Metallica has been dead and gone for years. Luckily, stepping in to fill that monstrous gap is Atlanta-based MASTODON whose hybrid hard rock/metal sound is every bit as heavy (and members as hairy) as the name. Released last week, the band’s fourth album (following 2006’s incredibly epic “Blood Mountain”) “Crack The Skye” is a brutally gorgeous seven-track ticket to heaven via a long and twisted road through czarist Russian Hell. Continuing the band’s penchant for thematic content, the new disc focuses on they mythical life of Rasputin, whose existence the Mastodonians embellish with an array of compulsory metal mythology. The record’s story arc is perhaps best described by the band’s guitarist Bill Kelliher:
“There is a paraplegic and the only way that he can go anywhere is if he astral travels. He goes out of his body, into outer space and a bit like Icarus, he goes too close to the sun, burning off the golden umbilical cord that is attached to his solar plexus. So he is in outer space and he is lost, he gets sucked into a wormhole, he ends up in the spirit realm and he talks to spirits telling them that he is not really dead. So they send him to the Russian cult, they use him in a divination and they find out his problem. They decide they are going to help him. They put his soul inside Rasputin’s body. Rasputin goes to usurp the czar and he is murdered. The two souls fly out of Rasputin’s body through the crack in the sky(e) and Rasputin is the wise man that is trying to lead the child home to his body because his parents have discovered him by now and think that he is dead. Rasputin needs to get him back into his body before it’s too late. But they end up running into the Devil along the way and the Devil tries to steal their souls and bring them down…there are some obstacles along the way.”
When questioned about the archaic spelling of the word Skye in the disc’s title, Dailor went on to explain that “Crack the Skye” is also meant as an homage to his sister, Skye Dailor, who committed suicide at age 14: “My sister passed away when I was a teenager and it was awful, and there’s no better way to pay tribute to a lost loved one than having an opportunity to be in a group with my friends and we make art together. Her name was Skye, so Crack the Skye means a lot of different things. For me personally, it means the moment of being told you lost someone dear to you, [that moment] is enough to crack the sky.”
As a bonus for fans who still BUY music, the iTunes version of “Crack the Skye” comes with the to-die-for bonus of an instrumental version of the entire disc that plays like a full-fledged metal symphony in seven parts. Touring across the US now, and throughout Europe this summer with (unfortunately) Metallica, the prehistoric rockers should be considered a must-see for even the most jaded live music fan.
LANCE ARMSTRONG IS A SHOW-STOPPER IN HOLLYWOOD
By Diane Pucin, LA Times, March 8, 2009
“Ben Stiller did the introductions and newly hot artist Shepard Fairey did a mural, but Lance Armstrong was the star Saturday night at the Ricardo Montalban Theater in Hollywood.
As part of his cycling comeback, Armstrong, the seven-time Tour de France winner, has made clear that he is riding not only to win more races but also to raise more money for his cancer charity, the Lance Armstrong Foundation.
Armstrong is flying Sunday to Europe in advance of the third race in his comeback journey, the Milan-San Remo Classic. But on Saturday, Armstrong rode 2.2 miles with about 700 recreational cyclists and then spoke to an enthusiastic audience of art and cycling lovers.
Fairey has gained recent attention for his creation of the Barack Obama “Hope” image, and there was a Fairey-created mural celebrating Armstrong’s cycling comeback and cancer-fighting commitment painted on the side of the theater.
Stiller introduced Armstrong by making a joke about how when the two of them walk down the street, people stop to marvel at Armstrong’s ability to inspire awe because of his cycling accomplishments after recovering from cancer, and then they stare at Stiller and say, “Thunder, man,” because of Stiller’s starring appearance in the less-than-esoteric movie comedy “Tropic Thunder.”
More than 20 artists have created works that will be displayed beginning July 16 at the Emmanuel Perrotin Gallery in Paris and will be sold with the proceeds going to Armstrong’s foundation. Besides Fairey, other notable artists participating in this fundraiser include Tom Sachs, Eric White, Marc Newson, Os Gemeos and Taryn Simon.” Click HERE to continue reading…
Apparently, CBS SUNDAY MORNING is officially in the “Street Art” game now, following up their recent KAWS profile with a new segment this morning on SHEPARD FAIREY. Unfortunately the MILF-tastic Serena Altschul wasn’t tapped to helm the piece, but the awesome animated spray paint can intro and robotic suburban housewife narration provide ample entertainment nonetheless. The most amazing revelation of the segment? Aside from the gray hair, Shepard still looks almost identical to his elementary school portrait…
KAWS‘ street hits were the freshest on the block back in ‘97 when an incredibly young-looking Brian Donnelley was getting busy on the billboards and bus stops of NYC and Tokyo on the regular. Here we see some rare footage of the youthful media manipulator on the go with commentary by fellow bomber RON ENGLISH…
Few moments in KAWS‘ multifaceted and unpredictable career have been as surreal as this segment on him that aired this weekend on CBS, most notable of which is the old dude introducing the clip alongside a 4ft Companion. Just in time for his hotly anticipated opening at HONOR FRASER this month in LA, the incredibly well aged SERENA ALTSCHUL tries to put her finger on the XX-eyed phenomenon. Click HERE to read CBS’ article on KAWS…
Music award shows are for suckers. That said, RADIOHEAD did it right tonite on the less-relevant-than-ever GRAMMY AWARDS backed by a tight high school marching band. Coldplay literally should not even be allowed to play on the same show when Radiohead is present…
UKRAINE///FIRST LOOK: DAMIEN HIRST’S “REQUIEM” CAREER RETROSPECTIVE AT THE PINCHUK ART CENTER
Last weekend saw the DAMIEN HIRST’s first grand spectacle of 2009 when his daunting career retrospective “Requiem” opened at the PINCHUK ART CENTER in the unlikely city of Kiev, Ukraine. Not exactly known as an epicenter of fine art (unless you count the Ukrainian girls, that is), resident steel billionaire and obsessed Hirst collector VICTOR PINCHUK aims to change that by launching the epic visual spectacle that includes over 100 works (a vast amount of which came from Pinchuk’s private collection) by the British artist from 1998 – 2008 in his own privately funded art palace that holds the title as the largest private museum in the former Soviet Union. The fact that this grandiose show of power comes at a time when…
NEWS///RIP///IN LOVING MEMORY OF PHOTOGRAPHER SHAWN MORTENSEN 1966—2009
It is truly with a heavy heart that we must break the news that one of Supertouch’s dear friends, photographer SHAWN MORTENSEN, passed away last nite. A kinetic force of optimism and seemingly limitless positive energy, Shawn’s hearty career as a photojournalist and artist took him around the world several times over, unselfishly spreading his endless supply of good vibes as he went. Particularly renowned for his portraits of musicians, artists, and entertainers, Shawn photographed a stunning array of pop culture demigods in his 20+ year career including…
BEVERLY HILLS///JOHN WATERS BRINGS “REAR PROJECTION” TO HOLLYWOOD
As a director of some of the most acclaimed highbrow B-movies of all time, Supertouch amigo JOHN WATERS needs no further introduction. Quietly working the night shift as a fine artist for years now, the Baltimore-bound obsessive’s hard work has finally landed him a spot in the most hallowed hall of the modern art world, namely, the GAGOSIAN GALLERY, where the artist’s solo “Rear Projection” show opened to a throng of Hollywood players, weirdos, fanboys and girls, and well-wishing lookie-loos on Saturday nite. Comprised largely of C-prints of photos Waters has taken of TV screens bearing his favorite stills from movies of all kinds, the works pulse with the raw humor and dry wit that is Waters’ hallmark…
LA///NEWS///LANCE ARMSTRONG ANNOUNCES THE “STAGES” ART SHOW TO BENEFIT LIVESTRONG
To officially launch the LIVESTRONG “Stages” benefit art show (full details below) powered byNIKE that will debut during LANCE ARMSTRONG’s run in this year’s TOUR DE FRANCE, an epic kickoff celebration was held on Saturday nite at Nike’s MONTALBAN THEATER in the heart of Hollywood.
LA///FIRST LOOK: KAWS’ “THE LONG WAY HOME” AT HONOR FRASER GALLERY
KAWS‘ anxiously anticipated new show “The Long Way Home,” opened its doors to an absolutely massive crowd at HONOR FRASER gallery in LA last nite, with a queue that wrapped entirely around the block (and then some) for the duration of the frenzied two-hour opening. KAWS’ incredibly well behaved legion of faithful followers did their best to make the Brooklyn-based artist feel welcome in his first west coast solo exhibition that featured new paintings (the largest of which went to collector and Supertouch buddy Lance Armstrong), sculptures, a 20″ solid bronze Chum figure and a new series of “Kurfs” and Spongebob package paintings that were spoken for well before the opening festivities kicked off.